ron chaney jr
Ron Chaney, a 38-year-old California contractor who bears little resemblance to his Wolf Man grandfather, is more inspired than ever to finish a book begun by Lon Chaney Jr. about the family. A long series of illnesses had put Mr. Chaney in and out of hospitals for the last year. Chaney's performance was spectacularly touching; indeed, it became one of the two roles for which he would always be best remembered. [on his makeup for The Wolf Man (1941)] What gets me is after work when I'm all hot and itchy and tired . .
His bread-and-butter work during this decade was television – where he made guest appearances on everything from Wagon Train to The Monkees – and in a string of supporting roles in low-budget Westerns produced by A. C. Lyles for Paramount. He had a small role in an Abbott and Costello comedy Here Come the Co-Eds (1945), then made more Inner Sanctums: The Frozen Ghost (1945) and Strange Confession (1945). All the best of the monsters played for sympathy. The critics approved Mr. Chaney's portrayal; although some said he did not quite erase the memory of Broderick Crawford's earlier interpretation on the stage, with Wallace Ford as George. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. The film was Chaney Jr's first major role in a film and was a critical success for him. Many articles and biographies over the years report that Creighton was led to believe his mother had died while he was a boy, and was only made aware she lived after his father's death.
He was a henchman in a serial for Republic, Undersea Kingdom (1936). He later made Charlie Chan in City in Darkness (1939) and Frontier Marshal (1939). Universal Pictures offered Chaney Jr the lead in Man-Made Monster (1941), a science-fiction horror thriller originally written with Boris Karloff in mind. His career suffered in his later years due to alcoholism. He was also known to befriend younger actors and stand up for older ones who Chaney felt were belittled by the studios. His favorite role was that of Lennie Small in. Television appearances are listed separately. From his father, he developed skills as a makeup artist. During this era, he starred in Jack Hill's Spider Baby (filmed 1964, released 1968), for which he also sang the title song. He was in a crime film, Eyes of the Underworld (1942) and the wartime shorts Keeping Fit (1942) and What We Are Fighting For (1943). Publicity Listings A kinescope of the January 18, 1952 broadcast is available on DVD, YouTube, and also open to the public for viewing at The Paley Center for Media in New York City and Los Angeles. | He studied makeup at his father's side, learning many of the techniques that had made his father famous. Other reports say his body was donated to USC for medical research. He had two sons by his first wife, Lon Ralph Chaney (born July 3, 1928) and Ronald Creighton Chaney (born March 18, 1930), both now deceased. After a cameo in Crazy House (1943) he was given the lead in Calling Dr. Death (1943), based on the Inner Sanctum mysteries. SAN CLEMENTE, Calif., July 13 (AP)—Lon Chaney Jr., the film actor, died yesterday at the age of 67. Like his father, he would spend six or seven hours in make‐up preparation and became known as a perfectionist in make‐up detail. It kicked off another series starring Chaney, the first of which was Weird Woman (1944). Like his father, he often refused requests for autographs, though when he did sign he usually wrote "Luck, Lon Chaney", using a very large "L" as the first letter for both "Luck" and "Lon".
He only officially played the role of Frankenstein's Monster twice: once in. He did watch his father making up for his roles, and so learned the art himself. In young adulthood, his father discouraged him from show business, and he attended business college and became successful in a Los Angeles appliance corporation.
In that film, he was Lennie, stupid, unable to care for himself, protected by Burgess Meredith as George. [13] He remarried to Patsy Beck in 1937. Ron Chaney is the great grandson of Lon Chaney Sr. and the grandson of Lon Chaney Jr. and it has long been one of his goals in life to honor the legacy these two men have left in … The reason given for this, was due to the actor's problem with alcohol. In the 1960s, Chaney specialised in horror films, such as House of Terror (1960), The Devil's Messenger (1961) and The Haunted Palace (1963), replacing Boris Karloff in the last of those for Roger Corman. However, as a young man, even during the time of his father's growing fame, Creighton Chaney worked menial jobs to support himself without calling upon his father. One example was that of William Farnum, a major silent star who played a bit part in The Mummy's Curse. The six-foot-tall Chaney wanted to play football in Hollywood High School but was turned down because he only weighed 125 pounds. He became quite popular with baby boomers after Universal released its back catalog of horror films to television in 1957 (Shock Theater) and Famous Monsters of Filmland magazine regularly focused on his films. This made him the only actor to portray all four of Universal's major horror characters: the Wolf Man, Frankenstein's Monster, the Mummy, and Count Dracula. However, according to his son Lon Ralph Chaney as well as Cleva's daughter by her second marriage, Stella George, the story is complete fiction.
Even though they appeared in several films together, there was little love lost between Lon Chaney Jr and Evelyn Ankers. Friends said he had also suffered from liver problems and gout and had recently undergone acupuncture treatments to relieve pain. [16], Chaney died of heart failure at age 67 on July 12, 1973 in San Clemente, California. Universal got him to play a henchman in their serial, Ace Drummond (1937) and he was uncredited in Columbia's Killer at Large (1937). His home for many years was in the San Fernando Valley, later at Warner Hot Springs in San Diego County and then in San Clemente. More often than not he was the hero's sidekick or the heavy —rarely the one who got the girl. Never as versatile as his father, he fell more and more into cheap and mundane productions which traded primarily on his name and those of other fading horror stars. Horror film star: The Wolf Man, The Mummy, Inner Sanctum. In one film, in which he changed from a conventional appearance to a wolf man, he was pictured as he lay dying, changing in minutes from the monster to his ordinary guise. Chaney Jr. until after he had achieved considerable recognition on his own. He returned as the Wolf Man in House of Dracula (1945), one of the last of the Universal horror cycle. Applications of Make-Up Through the 1940s–1960s, Additional Information on Chaney's Career, https://en.wikipedia.org/w/index.php?title=Lon_Chaney_Jr.&oldid=986128950, Articles with dead external links from July 2020, Short description is different from Wikidata, Articles needing additional references from March 2018, All articles needing additional references, Articles lacking reliable references from April 2019, Articles with unsourced statements from April 2019, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 29 October 2020, at 23:45. His first appearances were under his real name (he had been named for his mother, singer Frances Chaney).
Universal released their film biography of his father, Man of a Thousand Faces (1957), featuring a semi-fictionalized version of Creighton's life story from his birth up until his father's death. A small outfit, Ray Kirkwood Productions, gave him a lead, The Shadow of Silk Lennox (1935). His grandson, Ron Chaney Jr, was working on completing this project.[12].
Pillow of Death (1945) was the last Inner Sanctum. The process took some 24 hours for the few minutes on the screen in which the dying wolfman became an ordinary citizen. In April 1948 Chaney went to hospital after taking an overdose of sleeping pills. He was released from a San Clemente hospital last April after surgery for cataracts and treatment for beriberi. He was almost killed by a train while filming a bank robbery scene in Jesse James (1939).[5]. As a youngster, despite his father's fame, he worked in various jobs—as a butcher boy,a boilermaker, a plumber and a fruit picker. He was born prematurely, only 2-1/2 pounds at birth. Creighton Tull Chaney (February 10, 1906 – July 12, 1973), known by his stage name Lon Chaney Jr., was an American actor known for playing Larry Talbot in the film The Wolf Man (1941) and its various crossovers, Count Alucard (Dracula spelled backward) in Son of Dracula, Frankenstein's monster in The Ghost of Frankenstein (1942), the Mummy in three pictures, and various other roles in many Universal horror films. This is a list of known Lon Chaney Jr. theatrical films broken down by decade. By the 1950s, he was established as a star in low-budget horror films and as a reliable character actor in more prestigious, big-budget films such as High Noon (1952). Creighton, who had begun working for a plumbing company, married Dorothy Hinckley, the daughter of his employer Ralph Hinckley.
Official Sites, Often played hulking monsters or victims of mad scientists, Often played sympathetic or tormented characters, Frequently portrayed father figures, particularly in his later years, Was a friendly person, despite playing many villains in horror movies, Friendly teddy bear face with heavy eyebrows. For instance, he and frequent co-star Evelyn Ankers did not get along at all despite their on-camera chemistry.
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